A Change of View

Sophie & Kazimir

Two eye surgeries later, I’m catching up.

Additional artwork for Tools of the Trade by Merel Pierce Designs for AdeCiro Publications came through just ahead of the first surgery, but it wasn’t until both eyes were done that I saw—really saw with clarity—how amazing the work actually was. The characters may not look exactly the way they live in my imagination, but the artist’s interpretation is pretty darn close. The clothing, the background—spot-on. The overall effect—solidly in the story and the era.

The first thing I noticed after surgery #1: the clear sky was blue. Stunned is an understatement. My brain told me the sky was blue, only blue, always blue.

By comparison, the eye not yet done saw pre-storm teal.

For two weeks until surgery #2, I winked a lot. Close one eye, then the other. Compare. Repeat. Compare.

Blue is blue instead of teal. My kitchen tile is white, not buttery off-white. The concrete driveway is grey rather than pale raw sienna. Oncoming headlights no longer look like approaching sunbursts. Porch lights don’t have haloes (except in fog), & stars don’t have long spikes of light extending from them.

When a vision change happens subtly, you don’t realize what you’ve become used to seeing. The brain adapts to the slow transition without conscious thought. Perception is redefined.

Whether literal or figurative, cataracts are sneaky.

Sophie and Kazimir stand back to back, alert to danger. Sophie carries the flamethrower she designed. Though less apparent in the image, Kazimir has one of his favorite weapons: a bearing scraper, a workman’s tool.

Evocative. Shadowy but vibrant. True colors.

A Time Machine Detour

I’m a messy writer. I don’t think it’s evident in published works. I juggle multiple stories/ essays, and my handwritten first drafts include scribbles, side-notes. Sketched illustrations in margins, between paragraphs, and sometimes in the middle of sentences. But the messiness really shows up in my personal time machines (yes, plural): diaries, journals.

As I tackle a nonfiction project, I’ve been digging through my time machines. There are gaps. A couple of journals succumbed to fire; floods turned a few nonsequential diaries turned into papier mache blocks. Sporadic rather than regular entries in those remaining, they chronicle trials & triumphs, questions & revelations, the state of my psyche or my hangnail. True to what I knew & thought at the times.

No clue what triggered a few entries or what they were about. (She did it again! Now in the top 10 stupidest things to come out of a grown-up’s mouth! Who was “She”? What did she say?) Others prompt vivid recalls of things left behind, forgotten. Some show what a double-life I had at times.

In a few entries, I must’ve dodged rants or interrogations from a grandparent, aunt, or uncle about why I didn’t date in high school. My reply—“They like football and cars; I like books and animals. What are we supposed to talk about?”—apparently satisfied them enough to shut up or change the subject.

Although publicly true, the double-life reason was this: I had no idea who I was or wasn’t related to in my parents’ hometown. When my folks moved back there, I’d pieced together partial genealogies, local gossip, & enough surname connections to realize that by blood or marriage I was related to at least a fifth (possibly a fourth) of that small farming community. There were already plenty of odd trials with my folks and mystifying tensions with the closest relatives. Challenging. Confounding.

Because some relatives got along like slightly civilized Hatfields & McCoys sans shotguns, and because some were considered longtime pillars of the community, the façade of everything being glitch-free was absolutely required. Cheerfully peachy amid their hostilities & meltdowns. Without a doubt, I knew I’d draw the combined wrath of known & unknown relatives down on me if I even accidentally stepped a toe out of line. I had more than enough to handle without adding to it.

Off & on entries puzzle over training a 13 y.o. terrier the Sit & Heel command. Along with feisty stubbornness hardwired in her breed’s brain, she was also, of course, too old for such adolescent nonsense. Ultimately, it was an exercise in frustration. Not until my family moved from the small town was I around anyone who could show me what to do. By then that terrier had died, but my parents got a young dog. I had a fresh chance at learning something I’d so much wanted to do.

And since my concept of journals meant everything should be written on their pages, my first short story— an attempt at a Western—was there. A Western fan in general & a Louis L’Amour fan in particular, I was sure I could work that Old West magic. Every possible cliché appeared in the story, & every one of them rode off into the sunset to die of embarrassment.

Music was another facet of double-life. Secretly, I thought most popular bubble-gum rock of the day sucked. With somewhat guilty glee, the first LPs I bought myself were Irish ballads by The Clancy Brothers & the flamenco guitar of Carlos Montoya. Played over & over, they swept me away, elated. My singing voice has always constituted audio assault, but I could brogue along with “Jug of Punch” & “O’Donnell Abou” just fine. I tried but never could master more than the opening notes of Montoya’s “Malaguena”.

Around the same time, I was discovering science fiction. I knew nothing about amputations, prosthetics, or phantom pain. Precious little about space travel beyond what I’d seen on Star Trek, The Outer Limits, & late-late night B-movie reruns (when I was supposed to be asleep). Yet another entry records a dream so haunting that, some 20+ years later, it grew into the world of my cybernetic navigators. Hindsight may be 20/20 but it can be nonetheless mystifying.

Versions of a frequent social media question appear in my newsfeed. “What advice would you give your childhood/teenage/younger you?”

Navigating a double-life, the teen me could’ve used a bit of reality check: you’ll never solve or understand all the family mysteries.

A bit of hope for a smidgen of resolution: a major puzzle piece hidden from you will come to light in 40-some years.

A bit of patience counsel: you’ll learn to train your dogs, you’ll find your genre(s), hit your stride—it just takes time.

A bit of encouragement: it’ll be okay—chin up, kiddo.

On the other hand, the last wouldn’t have been necessary. According to my time-machines, I did it anyway.

Writing & Sliding Tiles

My assistant for this post.

Tools of the Trade is live, introducing some of The Suntosun Chronicles cast members. The sequel novel, Suntosun Circus, is slated for release this fall. As I roll forward with writing the next book (tentatively titled Suntosun Seasons), I dig again into inner territories. Discover anew links between my fictional stories and the masks worn in autobiographies of the psyche.

Literal and figurative puzzles recur in my stories. But it’s amazing how some children’s toys teach us how to deal with adult challenges and tasks. The sliding tiles puzzles I enjoyed when I was young proved especially useful.

With the assistance of my beloved cat, here’s how a fiction/real-life connection works for a quest story.

Because she loves climbing, I learned the domestic housecat can find every possible route into a basement’s drop ceiling.

So, I (protagonist) move one ceiling tile (obstacle, setting), and cat (goal) backs across tiles to another section. Central plot. Also approaching badlands/cave/et cetera where setting complicates goal.

Pull down two more tiles hoping to intercept cat. Simple plan: achieve the goal without venturing into badlands/etc.

Cat skirts the gap to a different part of the basement. Simple plan failed.

Move more tiles and take down others to widen the gap, possibly cornering the cat. Plan #2 is better, right?

At this point, not too many tiles are removed. I’m already encountering dust, cobwebs, and dead bugs. The badlands become more dangerous, the goal even farther & further from sight.

Cat displays unsuspected athletic prowess as she leaps the overhead chasm. More desperate pressure for achieving the goal.

Cat pauses to sniff a decomposing mouse. Lull before the final conflict or confrontation.

Move another tile. Oh, so close! Cat is now intensely interested in a ductwork section where a former homeowner cut a vent hole. Plot twist.

Our eyes meet. Oh, no! Don’t you dare! Cat scurries just out of reach and kicks a petrified skink into my hair. How’d that get up there‽ Cat dives for the hole! Focus on goal. Gross out later.

I break a tile and knock down part of the tile frame as I lunge for cat. Cat wriggles head and shoulders into the vent hole, but I grab cat’s back legs. Cat is captured. Success! Victory! Resolution!

I wipe cobwebs from her face and remember a sliding tiles puzzle I enjoyed as a kid. Eyeing the mess above and on the floor, I consider taking down the entire drop ceiling. Satisfied with her adventure, cat snuggles against me and purrs. Epilog.

Starlight Through Five Apertures

We try to touch our toes to stars.

Chains anchor one swing set, and our toes only reach as high as the kitchen window. The frame rocks, pulling free as though about to tip over at the peak of our swinging arc, then slamming down with a clanking thunk. We choose the other swing frame, steel set in concrete buried in the ground.

We climb the smooth poles and hang by our knees from the top bar. We giggle at the upside-down world, not realizing yet how much the world is already upside-down. Not yet understanding behavior is taught but virtue is instilled. Our friends hone virtue better than memorizing rules.

Some aerialist cue warns just before the headward rush of blood turns to ache. Sweaty in summer swelter, we slip and shinny down chains to the swing seats. In daylight, we grip the chains and stand on the seats, sometimes lifting our feet from them. Pretending, pretending because no big top is bigger than the bright blue overhead.

Pretense changes to challenge at and after twilight. The first swinging high enough to touch toes to stars and call out Twinkle-toes! wins.

Play fair, play honest—the award doesn’t matter. Maybe the winner won’t be the first it in flashlight tag later. Maybe winning means dibs on the last good cookies, the ones our moms bake rather than the store-bought ones. Maybe it’s just a win. Pick another star, start again, swinging back and forth, passing wins back and forth, striving for stars to the metallic rhythm of creaking chains.

Would we like to swing on a star? You betcha!

But for now, for years ahead, touching toes to stars a handspan high above horizon suffices.

~*~

She doesn’t sail at night anymore. The old dory looks as age-roughened as she does, but it’s no less sea-worthy. Over decades, night has become a time of resting muscles and bones no longer so hardy and hearty. A time of watchful contemplation on the shore.
She has sea regrets, some fanciful, some real, but not many of either. She would’ve circumnavigated oceans solo with only stars to guide her. Sang with mermaids or ridden Poseidon’s chariot. Learned the languages at every seaport. Seen the green flash from every sea, from any sea.

The last, at least, is still within possibility.

The driftwood serving as walking stick took polishing well, but she never had the heart to carve more than a comfortable grip. The silvery, twisted grain matches her loosely braided hair, catching highlights under sun, under moon.

She dusted her surfboard today. She tried to remember the last time she wrestled it from the wall for waxing. Neither kook nor ripping slash-master, she knows her skills were modest. She never braved the gnarliest waves or rode the board through a barrel—another regret. She traced her fingers over white constellations painted against ultramarine blue. Aloud, she spoke their names, their stories as she outlined their shapes.

Even now, as she hobbles from her cottage, she smiles: she surfed standing on the shoulders of Hercules.

Farther along the shore, sand gives way to rock. She often tosses stranded starfish back to the surf or collects the dead she finds in dried tidepools. She loves the quietly busy activity there, but she’ll not ramble that far this eve. The closer stretch of beach, still warm enough to soothe, satisfies.

She passes the dory moored just above the high tideline. The hull should be scraped, revarnished; the dulled brightwork could stand attention. Some of the sail’s seams need restitched before she launches to sea again. These days, she dreads the sewing more than the labor on the dory’s wood and metal. Her eyesight is fine for anything but threading a needle.

Little breeze rolls in from the shining sea. Reflecting the red sailors’ delight of the sky. Reflecting the sinking sun’s ripe apricot glow. Reflecting the dory would lie becalmed on such waters until a freshening wind filled the sail. Reflecting on how often she’s waited becalmed on the shore for a glimpse of the green flash.

On the horizon, the crimson disc of the sun sinks, sinks. She stares, not daring to blink.

Now a thumbnail, a hairline. Now winked out, gone.

Exhalation. Explanation. Resignation.

Perhaps the air is too clear, too calm. No prismatic haze divides the day’s last sunlight for a flash of green.

Perhaps another evening, then.

She builds a small beach-fire. Her contralto isn’t as true as it once was, but songs of sea and stars, of love and adventure, lift her spirit when it ebbs.

Twilight darkens to dusk; dusk darkens to night. Pinpoints of light quiver on the glassy sea. Constellations form on the waters, then she gazes up to their source. She digs her toes in the warm and twinkling sand.

~*~

Night after night, year after year, I gaze at stars. They glint like chips of light-struck ice, fresh and cold in the skyscape. They are clock and anchor, compass and almanac. They are pattern and poetry. They are legend.

Magnitude, lightspeed, azimuth, parsec, aphelion, perigee. Astronomy borrows and provides the words and formulae for stargazing, but science never diminishes their mystery.

The scent of new mown grass envelopes me. My star chart glows in the dark and points the way to Lyra, Vega, Draco, Aquila. Cepheus rules near the throne of his queen; Boötes herds the stars by the Northern Crown. Hercules is high overhead. The great bear ambles slowly around the smaller bear.

The life of a transient means taking little for granted. Necessities and detritus carried from place to place may be lost or broken in transit. The people met get on with their lives, forgetting someone was present and now is gone.

Stars move, but they return. A multitude of constants shining on an inconstant world.
Another month, another place. A short way from my campsite, I sit on a low bank of the broad, braided tributary of the Platte River. I clutch my campfire-fragrant coat close against the chill. At the end of Ursa Minor’s tail, Polaris— North star, pole star, Cynosūra, lodestar, stella maris, sea-star—is a fixed constant, orienting me on land even as I stare skyward. Pegasus charges across the night sky, accompanied by ram and goat. The great swan soars into the west.

Another transit. My younger sister has a first-grade project about constellations. We spread a quilt on the ground, wrap blankets around our shoulders. Autumnal cool arrived in the Midwest early this year; the late September night seems unseasonably crisp. Some of the trees already dropped leaves. Others are turning colors, shedding more slowly.

Her head leaning on my breast, she looks along my arm as I point out the Big Dipper, then the Little Dipper. A naked ash tree obscures most of Aquila, but we spy the eagle’s brilliant Altair hovering near an upright branch. I tell her we can make the star disappear and reappear.

Oh huh! (Cynicism often overrides gullibility in the young.)

Close your right eye—see how bright the star is?

Yeah.

Close both eyes. Whisper Twinkle-toes, then open your left eye.

Twinka-toes. (A pause.) Oooooh!

Do it again, but open your right eye.

Twinka-toes. (Another pause.) Oooooh!

Leaves falling from the poplar windbreak rustle and patter. The breeze stirs drying, dying odors from the field stubble beyond the fencerow. She repeats the incantation. Once more, Altair vanishes behind the ash branch, then returns with each parallax shift.

For one evening, my sister thinks we’re magic.

~*~

The man doesn’t think she dreams of stars. When she was a puppy, the older dog showed her angels. Not so much the guardians and messengers of light, though she probably sees them, too.

No, she watches angels of nature, elementals in camouflage. They tend the seasonal cycles: vernal equinox, summer solstice, autumnal equinox, winter solstice. They signal migratory timing for bird and beast. They crack hulls and husks of seeds in the darkness under the dirt, urge the dormant to new growth. They show worms the way to cooler depths when summer sun heats the soil. They flutter wings of fallen leaves, dance en masse disguised as snowflakes.

The Labrador half of her ancestry alerts her to geese in formation overhead, but the back and forth calls of owls disturb her shepherd half. She presses her furry shoulder to his leg. Her head tilts up to nose his hand. She doesn’t understand why he still stares at the sky. The geese are gone.

Meteor showers—Leonid, Perseid, Orionid—mean nothing to her. There is no sound, there is no scent. The swift strobes are too distant for her sight, but the angelic display isn’t done for her eyes or for his. Flashing across the skyscape, the diamantine trails proclaim destruction and renewal in another form.

Later, she curls beside him on the couch. Her feet twitch and paddle as she sleeps, but she doesn’t dream of touching her toes to stars. She dreams of hooting owls, of honking geese, of angels masquerading among moths or milkweed down.

Perhaps, though, if stars glimmer in her slumber at all, she dreams of chasing squirrels or rabbits, hunting side by side with Procyon and Sirius whose twinkling toes are stars.

~*~

Night after night, year after year, you gaze at stars. You wonder.

Do you remember driving along a high plains highway at night? Through the windshield, a cloud shone as though reflecting the lights of a thousand cities. You slowed, then parked roadside. No atmospheric haze hung in the clear darkness. The Milky Way’s magnificence washed unfading awe over you, imprinting you forever.

Strange to think the sun is the closest star. Other stars divide the days and nights of their nearby planets the way old Sol lights this solar system, this Earth. Strange to ponder how this sun might appear if you stargazed from the crystalline shore or turquoise steppe of a distant world. Would you even notice a single star, a sun, in the lesser spur of the Orion-Cygnus Arm? How insignificant it seems amid the longer spiral arms of the Milky Way. Yet this star is life for Earth. Is it any wonder ancients worshipped the sky’s yellow dwarf? The impersonal master of seasons personally validates existence and solidity with shadow-stamps on soil, sand, and snow.

You used to look for your shadow by starlight. Their light is far, faint, but that doesn’t mean there’s no shadow cast. The ground is too dark to discern such dim and indistinct shade, but with so many stars scattered, shedding illumination crisscrossed across the sky, they may cancel each other’s light. Still, the palest stellar clusters don’t seem strong enough to nullify shadows cast by the brightest stars. Perhaps you need only stand on purest white to see your starlight shadow.

When you wish upon a twinkle, twinkle little star light, star bright, would you like to catch a falling star? Do you want to swing on a star, or do you hope for a pocketful of starlight? On a starry, starry night, does Mariah blow the stars around? Would she be wind or whirlwind stirring the galaxy’s spiraling arms?

Per ardua ad astra. Through hardship to the stars. Hardship for those who lost the sense of marvel and miracle to scholarship. You attain the stars in the way children of all ages do.

You climb the jungle gym of Cassiopeia’s Throne, cross the monkey bars of Orion’s belt. Your aerial silk flutters in cosmic wind as you angel-spin from the stinger of Scorpius in synch with the throbbing heart of red Antares. You launch from wing-to-wing trapeze as Cygnus soars the night. With a grand jeté, you leap from the horns of Taurus for an Aldebaran pirouette en pointe. You jazz with the Pleiades sisters.

You play and dance and frolic with stars. Pretending, pretending. Shout out Twinkle-toes! to win.

*****

 

“Starlight Through Five Apertures” by Glynda Francis first appeared in The Tishman Review, Vol. 4, July 2018. 

Pearl Diver

 

I was the best.

My sisters swore
I grew gills and fins in every dive.
Octopus and squid never fled
in inky fright from me;
sharks that claimed my brother
swam sightlessly near me.
I held my breath longer,
I dove deeper
than any in my village.

I never told my secret.

Grandmother says
a water demon entered me
but she is old
and she sees demons everywhere.
She says that is why
I came up coughing blood
when last I dove
and now must walk the land
with sea-pain in my bones.

Never to dive for pearls again—
I weep for Urashima
enduring sea-change born of love
only to end a scattering
of surf-bleached bones upon the sand
beside an empty open box,
an untied ribbon of saffron silk
fluttering in the salty breeze.

The oysters sang to me.

 

First published in Under Every Moon by GL Francis, 2013 (publisher: Charlie Dawg Press).
Available at http://www.amazon.com/Under-Every-Moon-G-Francis/dp/0615870694

Scarecrow

ScarecrowHaiku_GLF

Eyeless face tilts to
night skies; swift meteors leap
above, cloud to cloud.

Detasseling—hot,
sweaty work till a shadow
chills with outstretched arms.

Garden effigy
smiles on peas, but in cornfields
the guard is somber.

Sun glints on feathers
blue-black as the crow watches
crucified clothing.

A tatter, a wreck
sprawls amid winter stubble
with no bones to pick.

 

 

First published in Under Every Moon by GL Francis, 2013 (publisher: Charlie Dawg Press).
Illustration by GL Francis.
Available at http://www.amazon.com/Under-Every-Moon-G-Francis/dp/0615870694

Starlight and Other Ruminations

Today is the release of the Summer 2018 issue of The Tishman Review, an issue that includes my essay “Starlight Through Five Apertures.”

The issue can be read online for free at http://www.thetishmanreview.com/ and there are links to Amazon for purchase of a Kindle or printed copy.

The folks at TTR were awesome to work with through the editing phase after accepting my essay for publication. Their suggested changes ironed out a few wording wrinkles, amounting to little more than polishing tweaks. Knowledgeable. Professional. Respectful. Truly a delight to work with them.

Last night, on the eve before this issue’s release, I stepped outside for a little stargazing. The sky wasn’t overcast, but there was just enough haze to obscure all but the brightest stars directly overhead. Trees in full summer leaf obliterated the rest.

Although I’m primarily a speculative fiction writer, my forays into other genres usually reflect that leaning in some way. It wasn’t until I wrote “Starlight Through Five Apertures” that I realized how heavily I drew on research for my science fiction stories and how much it influenced the occasional nonfiction and poetic works I also write. Always sort of floating around somewhere in my hindbrain, but never really at the forefront of thoughts.

As I searched the sky, other works I’ve written came to mind. One title after another. Once published, so many of them vanished. With some, the publisher didn’t archive older editions or otherwise discontinued the availability of the issue/book. With some, the publication closed permanently.

Reprints are notoriously hard to sell. It doesn’t matter whether a work first appeared on a blog or whether a publisher only made a limited print run to a select niche/group. The First Rights on unpublished work is what most publishers want, what they require.

No starlight twinkled inspiration at me, but a decision was made. In the weeks and months ahead, published works that have fulfilled their exclusive contractual period will appear on this blog. Those that have vanished into reprint-status limbo will be here. There will also be a few pieces never officially published elsewhere but that don’t fit anywhere else either.

Welcome to another road along the often-twisted ramblings of the clayfoot journeys.

A Goal in Mind

Every so often, something catches me off guard and I realize I may have presented a wrong or at least incomplete impression. One dimensional, really.

I rave about how much I lovelovelove lime sherbet–my very favorite!!!–so frequently that folks get the impression I don’t like blueberry frozen yogurt or chocolate/strawberry/vanilla ice cream. Or black walnut. Or pineapple sorbet.

But this isn’t about desserts.

I occasionally give myself a repeat of an old college assignment: list the titles of every book I remember reading cover-to-cover. No cheating by looking at my bookshelves or wandering through the library. The original assignment had a time limit of about a month, but with this most recent repeat, I gave myself a longer period.

I haven’t utilized Goodreads much, but as I look over the massive list that’s grown over the last several months, I think it’s time to organize this list both at Goodreads and here.  Here will be both reviews of books I like for whatever reasons as well list groupings of titles.
(BTW, I don’t take requests for reviews. The ones I post are because I want to, not because someone asked me to do so.)

Anyway, I just think it’s time to share that I like more than just “lime sherbet” in what I read.
And write.

Sentient Appliances

I confess a love/hate relationship with techy stuff.
When it works, fine. Lovely.
When it doesn’t, I want to drop-kick the techy item through the nearest window.

Maybe I’ve read and watched too much science fiction where the tech goes all wrong. One of my early introductions to the dark side of artificial intelligence was Colossus (later made into a 1970s movie). And then HAL from 2001: A Space Odyssey. And the gunfighter android from Westworld.

Et cetera.

Anyway, the glitchy side of tech is never far from my mind.

It doesn’t seem to matter how expensive the tech is when real glitches happen. For a few years, I operated a quarter of a million dollar machine that sometimes refused to shut off. Many attempts to troubleshoot and repair the glitch failed. Repair technicians knew it was a sticky relay, but even repeated replacement of the offending part didn’t help. The solution: hit a certain spot on the equipment’s cabinet with your fist and voila! it shut off. Three of my hand-spans from the front and six hand-spans from the top — X marks the spot.

I think about that every time I see the newest technology featured in some appliance (stove, furnace, coffeemaker, or whatever.). Cars can parallel park for you and have computer options, sensors, and cameras so close attention to driving becomes less necessary. Cell phones now act as portable all-purpose computers. The washing machine at my current job has a control panel like a baby rocket from NASA.

In time, they’ll have voices of their own to go along with artificial intelligence. That doesn’t scare me, but the prospect of a balky/glitchy appliance getting argumentative or sassy…

Stove: Oh, you set my burner on medium? Soooo sorry about the crunchy eggs! Heh-heh.

Toaster: Sliced bread again! That’s all I ever see! How about a bagel or English muffin for a change? A little variety here.

Air conditioner: You didn’t like it when it was cold outside, and now you don’t like the heat. I’m not working until you make up your mind.

Mixer: Wheeeeee! When I grow up, I’ll be a Tilt-o-whirl!

Washing machine: Don’t ask me about the water. I felt unbalanced and took a walk. The cat must’ve missed the litterbox.

Stove: No. I don’t feel like heating my burner right now. If you want hot water, talk to the coffee pot.

Refrigerator: You like dairy stuff, right. So I turned 2 gallons of milk into cottage cheese for you. What’s your problem?

Coffeemaker: Get lost. I’m set to brew at 2:45 a.m. and I’m sticking to it. Ask the hot plate.

Fan: I thought you liked clicking. You clipped a card to your bicycle spokes when you were a kid. Wasn’t this a misty nostalgic sound for you? Sheesh! What an ingrate!

Television: Didn’t know I could pixelate audio, didja? The actor said Ba-a-a-a-ad like a shee-e-e-eep. ROF-ROF-ROF-ROFL!

Hot plate: **spark**crackle**sparksparkspark** Gee, that was fun! Like the 4th of July! Turn up the dial!

Oh, if only my hair dryer could talk.

On second thought, I don’t want to know.